The Plurima bookcase designed by Charlotte Perriand features moveable horizontal panels encouraging the user to visually manipulate volume. By sliding the panels, the user can define the perception of the cabinet’s depth – compartmentalizing the interior volume or allowing space to literally pass through it. Perriand further objectified these volumes through the graphic addition of color – black, white, and anodized aluminum. Weight is assigned to all of these colors – the visually lighter white and aluminum are more prevalent throughout Plurima’s compositional construction; the heavier black is used to punctuate the vertical ends of the rectilinear cabinet form as well as the right-facing half of the vertical supports.
The Plurima bookcase is available in two sizes – low and tall versions. It is composed of solid natural oak with several vertical supports in black and white lacquer. The sliding cabinet panels are satin anodized aluminum.
In her eight-decade career, Charlotte Perriand contributed to countless design projects that allowed her to experiment with material. She explored working with tubular steel furniture, natural pieces in ebonized wood, bamboo furniture in Japan, and more. Paying close attention to the functionality of the furniture and the arrangement of the interior environment, Perriand designed pieces that were meant to be comfortably used and enjoyed in a space, as evidenced in her famed 1959 daybed or curved-back LC7 chair. Her revolutionary user-centric approach helped establish her as a seminal figure in the modernist design movement whose legacy endures to this day.
Not long after graduating from Ecole de L'Union Centrale de Arts Decoratifs in Paris, Perriand impressed critics with “Bar Under the Roof,” an installation featuring an aluminum and chrome bar counter and card table presented at the Salon d’Automne in 1927. The showcase established her as an avant-garde talent to watch and wowed a personal icon of hers, Le Corbusier—who invited her to join his studio and work on furniture designs with him and his cousin Pierre Jeanneret. The trio went on to craft some of the most enduring modern furniture pieces of the 20th century, such as the widely collected LC4 chaise longue, today produced by Cassina.