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JP Wine Glass

c. 2005

by John Pawson

John Pawson’s Bohemian Crystal Wine­glass is the perfect compan­ion to his sleek carafe. It’s a reminder that few things give more comfort than raising a glass of wine for a cele­bra­tory toast, or to begin a roman­tic dinner for two. The glass feels as right in the hand as it looks on the table, with a curve so sinuous it might intox­i­cate on its own. Heavy to the touch and easy on the eyes, the master minimalist’s glass­ware collec­tion was first crafted for the table­tops of monks at the Abbey of Our Lady in the Czech Repub­lic —mirac­u­lously, it’s finally avail­able for tables of bohemi­ans of all faiths and stripes.
The idea of creat­ing a set of essen­tial equip­ment for the monks’ refec­tory evolved into a collec­tion that includes a water glass and a carafe. These objects repre­sent an elegant minimum for the contem­po­rary table. The forms are simple but power­ful, refined but sensu­ously lyrical, uniting rigor­ous atten­tion to details of scale, propor­tion, and fabri­ca­tion with a consum­mate material palette.


John Pawson

United Kingdom

Few designers have done more with less than John Pawson. A simple expanse of stone, a careful application of glazing—Pawson has spent almost four decades utilizing the tenets of minimalism to create thoughtful spaces to think. Born in Halifax in 1949, Pawson studied both at Eton and at his family’s textile mill before a teaching trip to Japan introduced him to that country’s architectural and aesthetic traditions. After returning to London to study at the Architectural Association, he formed his own practice in 1981. Since then, he’s merged the spiritual and the substantive, devising innovative architectural solutions to the problems of scale and light.

Pawson’s first masterpiece redefined retail. Completed in 1995, his Madison Avenue flagship for Calvin Klein transformed an Art Deco bank into a temple of York stone and glass, with more room for contemplation than shopping. Similar restraint defined his subsequent Catha Pacific lounge in Hong Kong and 2015 London flagship for Christopher Kane. While Pawson has applied his clear-eyed gaze to the theatrical, crafting ballet sets for the L’Opéra Bastille in Paris and London’s Royal Opera House, he’s most at home in residential projects, whether for the jet-set clientele at Ian Schrager’s projects from Hollywood to Miami Beach or Cistercian Monks at the Abbey of Our Lady of Nový Dvůr in Bohemia. Since even the sparest space must be filled with functional objects, in 2013 Pawson designed the inaugural collection of tableware and home accessories for Beatrice de Lafontaine’s When Objects Work, a collaboration which continues to this day. And after publishing seven books with Phaidon, Pawson was appointed a Commander of the Order of the British Empire in 2019.

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