for Carl Hansen & Søn
Poul Kjærholm had a unique ability to combine steel and organic materials – one he demonstrated early in his career with the PK1, his first dining chair, which was presented in 1955. The PK1 chair exemplifies Kjærholm’s uncompromising approach, his ability to create harmony between form and materials, and his continued search for authenticity in his chosen materials as well as for flawless execution.
The PK1 is a complex chair with a straightforward, clean look that requires highly skilled craftsmanship. It consists of a steel frame and a woven seat made of flag halyard for optimum comfort. The combination of the two materials creates visual lightness, making the chair suitable for both classic and modern interiors.
The dining chair, which is new to the Carl Hansen & Søn collection of classic designer furniture, is made of either stainless, chrome-plated or black powder-coated steel paired with either natural or black flag halyard. As a new addition, Carl Hansen & Søn is also offering an outdoor version of the PK1 with a stainless steel frame and light brown or black weather-resistant flag halyard. Both the indoor and outdoor variants can be stacked up to five chairs.
Credit: Carl Hansen & Søn
The work of Poul Kjærholm was at once deeply rooted in the Danish furniture tradition and inspired by artistic movements all over Europe. The German Bauhaus School, furniture designers Gerrit Rietveld, Mies van der Rohe, and Charles Eames, as well as Danish furniture designer Kaare Klint and his contemporaries, all contributed to shaping Kjærholm as a furniture designer.
Kjærholm made a name for himself primarily with his functionalist steel, leather, and glass furniture, although he originally trained as a cabinetmaker in hjørring, Denmark in 1949. he then went on to study furniture design at the Danish School of Arts and Crafts (now the Royal Danish Academy of Fine Arts, School of Design) in Copenhagen, graduating in 1952 and returning again to teach shortly after. In 1955, he became a lecturer at the Royal Danish Academy of Fine Arts and was appointed a professor in 1976, succeeding Ole Wanscher. Kjærholm remained at the Academy until his death in 1980.
Throughout his work – as both an educator and a furniture designer – Kjærholm made function and clarity his hallmarks. Whatever material he worked with, Kjærholm, in his own quiet way, allowed the furniture to speak its own simple language. An idealist in his field, he refrained from easy solutions and never allowed himself to be guided by changing fads.
Driven by the dual desire to realize each material’s inherent nature and to create harmony between material and form, Kjærholm often felt that there was only one solution to a given problem. He was a demanding teacher guided by perfectionism and discipline, his idealistic approach to design also manifesting itself among his students.