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BK10 Dining Chair

c. 1959

by Bodil Kjær
for Carl Hansen & Søn

BK10 Dining Chair

by Bodil Kjær
for  Carl Hansen & Søn

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The Cubist inspired BK10 dining chair by Bodil Kjær for Carl Hansen & Son is made from solid teak and designed to patina beau­ti­fully over time. It features a deli­cate, linear appear­ance with its comfort­able inclined seat and back, with armrests, legs, and runners that are mortised together to form two squares – a detail real­ized through expert craftsmanship.

Designed in 1959 as part of a series of archi­tec­turally inspired indoor-outdoor furni­ture the propor­tions of the collec­tion are intended to relate to the surround­ing envi­ron­ment. The BK15 dining table is also avail­able in our collection.


Source: Carl Hansen & Søn

Bodil Kjær


Bodil Kjær was born in 1932 and grew up on her family’s ancestral farm near Horsens, Denmark, where she learned to appreciate quality and aesthetics. Kjær refers to her designs as architectural elements, rather than furniture pieces. Her aim was never to create sculptural statements but rather to find functional, economic, and aesthetic solutions.

In 1965, Kjær received a scholarship to further her studies at the Royal College of Art and the Architectural Association School of Architecture in London. She stayed in London until 1979 working as a senior architect, and later opened a studio working on projects such as residential homes cooled using solar energy for Africa’s tropical zone. Through her vast travels, Danish professor and architect Bodil Kjær has gained deep insight into the relationship between design and architecture and contributed significantly to the spread of Danish Modern design principles ­– this was not, however, the main purpose of her travels. Kjær wanted to explore methods and materials that could be used to realize her ideas for functional furniture systems and work environments.

As a furniture designer, Kjær views furniture construction from a purely technical perspective, interplayed with modern architecture and created for people. She always considers context and has great respect for nature and an interest in the dynamics of society. After school, she went to England to study architecture but returned to Denmark a year later. She enrolled at the Frederiksberg Technical College and the School of Interior Design, where she learned to create spaces from experts such as Finn Juhl and Jørgen Ditzel.

Her furniture systems support creative people in their work processes, and her designs include indoor and outdoor furniture, light fixtures, a service trolley and vases, all characterized by lightness and a functionalist expression.

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