LC3 Grande Confort Outdoor
The LC3 Grande Confort marked the separation of the metal frame from the upholstery, reflecting Modernist architecture theory, where the support load-bearing structure of the building was separated from the rest. In this case, four discrete cushions are set inside a cage of painted or chrome-finished steel tubes. The same device is adopted for all the other pieces in the collection, from the armchair with an arm-rest on one side only or on both to the two- or three-seater sofa. Over a period of many years, Cassina worked closely with Charlotte Perriand, her heir, and the Fondation Le Corbusier reinterpreting the original design while respecting its original intent to bring new versions and finishes of this furniture to market. The LC3 Outdoor version is an exemplar of this, crafted from a stainless steel frame and finished in a special textured paint available in five colors. The cushions are covered in water-repellent canvas to ensure maximum durability and reliability in all weathers.
Le Corbusier, Perriand, Jeanneret
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design. The partnership was highly significant, both in terms of the cultural weight of their achievements and their professional successes. It was together with Charlotte Perriand that the pair tackled the innovative project for “l’équipement d'intérieur de l’habitation”.
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