![Stuttgart Armchair Richard Herre E15 8](https://context-gallery.imgix.net/products/s/stuttgart-armchair/Stuttgart-Armchair-Richard-Herre-E15-8.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1565&s=813583c93907ca758e22627f1951d168 1565w, https://context-gallery.imgix.net/products/s/stuttgart-armchair/Stuttgart-Armchair-Richard-Herre-E15-8.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1000&s=274362e79197f5852971d30e44a48d7e 1000w, https://context-gallery.imgix.net/products/s/stuttgart-armchair/Stuttgart-Armchair-Richard-Herre-E15-8.jpg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=e1d8653d7c94cbee8516a34bde0d60ae 600w, https://context-gallery.imgix.net/products/s/stuttgart-armchair/Stuttgart-Armchair-Richard-Herre-E15-8.jpg?auto=compress%2Cformat&fit=clip&q=60&w=300&s=ba7500feac26d27b6a92ce3dbaf86c23 300w)
by Richard Herre
for e15
The Stuttgart-based architect, interior designer, graphic artist, author and translator Richard Herre has only recently been rediscovered as an important representative of the New Objectivity of the 1920s. As a graphic designer, Richard Herre created the famous motif for the Werkbund exhibition “Die Form” in 1924. For interiors, he designed not only furniture and lighting, but also textiles such as curtain fabrics and carpets, creating holistically designed spaces of engaging stringency and surprising colourfulness.
With the reedition of designs like the Stuttgart chair and the Zet kilim by Richard Herre, an almost forgotten, multi-layered chapter of modernism can be experienced again.
by Richard Herre
for e15
by Richard Herre
for e15