Posted in Design Stories
Mario Bellini: A Lifetime of Design
![Tokyo Design Center in Japan](https://context-gallery.imgix.net/images/Tokyo-Design-Center-Sketch.jpg?auto=compress%2Cformat&fit=clip&q=60&w=2000&s=6353c505d8810659a67e1b635a598105 2000w, https://context-gallery.imgix.net/images/Tokyo-Design-Center-Sketch.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1565&s=2e86cbae9d216ca573c3751ab68c1b79 1565w, https://context-gallery.imgix.net/images/Tokyo-Design-Center-Sketch.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1000&s=4cb3ce94410eb61a966ec63564eb8b64 1000w, https://context-gallery.imgix.net/images/Tokyo-Design-Center-Sketch.jpg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=b61d4815cbed980660fe40d2a9e6a889 600w)
It sounds like an undreamable luxury, but for Mario Bellini, a lifetime of design is the most natural thing of all. Over a career that now spans six decades, Bellini has dreamt, sketched and sculpted furniture, objects, machines, buildings and places. His hand has traced almost every aspect of material human life, from suites of household utensils and furnishings to machines and innovative technologies, office spaces and civic buildings.
It’s a volume and breadth of work that, at the outset, would have been difficult to fathom. The tale begins in Milan, 1963, when a young man who had recently his architectural education at the local polytechnic accepted an invitation from Olivetti – the now famous Italian manufacturers of machines – to develop design concepts for their revolutionary machines. Almost overnight, the young Bellini blossomed into chief design consultant, a role he would hold for almost 30 years, until 1991. Proving his value was not limited to buildings, Bellini seemed to translate his architectural education into these often strange, smaller scale objects with ease. Perhaps enlightened by the ability to work intently on something of an everyday scale, the polymath exposed a deftness for quickly turning his mind to new problems, forms and styles.
With his work in industrial design, Bellini captures the joy of objects and of creating a life for yourself with special, well-crafted things around you. His design process starts from a seemingly innate understanding of how the quality and form of the environment can influence not just how we move, but also our moods and habits. As a result, his work speaks generously of the places we eat in, how we sit, and how we arrange objects around ourselves to create a place that makes sense to us.
![1970 teneride](https://context-gallery.imgix.net/images/1970-teneride.jpg?auto=compress%2Cformat&fit=clip&q=60&w=944&s=fe474728f5b369bae8bfe03df1a36d3b 944w, https://context-gallery.imgix.net/images/1970-teneride.jpg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=a879fe8eaf64e7bab08c128230f001d1 600w)
Even when looking at the many machines and technological pieces Bellini has worked on, you get the sense that he’s less concerned with the technology, and more with the mechanisms of living that each particular object will relate to or enable. Technological advancements and misadventures become the material for his investigations, resulting in unexpected outcomes and a playful aesthetic. And always, rationale, functionality and livability are sprinkled with a certain, hard-to-resist delight.
![9b8172567ba883470244aced9dcaf37b](https://context-gallery.imgix.net/images/9b8172567ba883470244aced9dcaf37b.jpg?auto=compress%2Cformat&fit=clip&q=60&w=750&s=1fe3e2aa3d99dfccde11fb64e1e68594 750w, https://context-gallery.imgix.net/images/9b8172567ba883470244aced9dcaf37b.jpg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=162664cc049e5f31d1a9186d1b072144 600w)
Even now, past 80 years of age, Bellini continues to approach each moment with a child-like fascination, closely examining the world through touch, feel, and even smell. He is keenly aware of wonder all around him, and revels in discovering how things work, seeing how two disparate ways of thinking might come together to create a kind of magic. As with any design driven by curiosity, the resulting creations possess a sense of standing outside time. These are chairs, machines, and desks that respond very clearly to the problems or questions presented to them, but which, through the design process, develop an internal logic that stands up strongly years later. This continuous pushing and pulling of the complex and the simple results in a unique elegance that is distinctively Bellini.
When designing furniture, Bellini’s curiosity often seems to focus on how things press up against one another: bodies, seats, cloth, light and time. At quite a basic, human level, we can relate to Bellini’s La Bambole as a population of living bodies – singular, but also a collective. The grouped leather forms make sense to us in a bodily, physical way, calling on all the senses. Almost oversized, they are reminiscent of the early clay models made to understand the formal qualities. There’s a certain understated luxury in the way the sofa takes in our form as we lower ourselves into it, and retains a soft impression of our bodies after we rise. As the richly colored leather ages, it adapts and relaxes, slowly developing a deep, unique patina.
![Mario-Bellini-Context Gallery](https://context-gallery.imgix.net/images/Mario-Bellini-ContextGallery.jpeg?auto=compress%2Cformat&fit=clip&q=60&w=1800&s=77058c1b9255d947b42d304c3710e805 1800w, https://context-gallery.imgix.net/images/Mario-Bellini-ContextGallery.jpeg?auto=compress%2Cformat&fit=clip&q=60&w=1565&s=f4f14593e7b550262f110112748bcbf1 1565w, https://context-gallery.imgix.net/images/Mario-Bellini-ContextGallery.jpeg?auto=compress%2Cformat&fit=clip&q=60&w=1000&s=c098bafa09d8e4b1cc4ac0742f140217 1000w, https://context-gallery.imgix.net/images/Mario-Bellini-ContextGallery.jpeg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=3d261757b8479fef191419acf203bcc3 600w)
Bellini’s approach is not limited to a specific scale, typology or client base – in fact, the variety of opportunities seems to generate new energy and design potential. The task of design here is to create objects or spaces which function effortlessly, and which have a grace and beauty that belies their practical use. The resulting sculptural objects might uniquely demand or enhance a certain way of living, or seeing.
![Le Bambole07 chair BB Italia Inspiration](https://context-gallery.imgix.net/images/LeBambole07-chair-BBItalia-Inspiration.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1500&s=05ce2ebdc9a760bbd3895c062282b971 1500w, https://context-gallery.imgix.net/images/LeBambole07-chair-BBItalia-Inspiration.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1000&s=2e0e1221b5532d6464ddc25093872315 1000w, https://context-gallery.imgix.net/images/LeBambole07-chair-BBItalia-Inspiration.jpg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=3d1e5f31abf531d91aa1ec08c08549c3 600w)
It’s fitting that Bellini insisted on referring to the recent retrospective exhibition, ‘Italian Beauty’, in his hometown of Milan, as a ‘prospective’, because that’s exactly how he seems to approach the world: always projecting, always wondering what’s next. He engages with design as a significant act of placing yourself in the world, and of realizing the world around you. His offering to the design world is profound, and demonstrates his insatiable curiosity. It is a portfolio that accounts for almost every object, material, and color. But you also get the feeling that Bellini will always find something else to explore, something new to create. As he himself has said, a lifetime of design is just a case of “dreaming and doing”.
![Camaleonda 11](https://context-gallery.imgix.net/products/Camaleonda_11.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1400&s=71214af4e59d677f09555cb1bd468b69 1400w, https://context-gallery.imgix.net/products/Camaleonda_11.jpg?auto=compress%2Cformat&fit=clip&q=60&w=1000&s=8a98377951b54e56c6b56ed15c4eb765 1000w, https://context-gallery.imgix.net/products/Camaleonda_11.jpg?auto=compress%2Cformat&fit=clip&q=60&w=600&s=08eb1e0ed1ecb7948458b9c5c78f1195 600w)