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BK13 Swing Sofa

c. 1959

by Bodil Kjær
for Carl Hansen & Søn

BK13 Swing Sofa

by Bodil Kjær
for  Carl Hansen & Søn

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The BK13 swing sofa was designed in 1959 by Bodil Kjær as part of a series of beau­ti­fully crafted, archi­tec­turally inspired indoor-outdoor furni­ture series. As with the rest of the series, the Danish archi­tect looked to Cubism for inspi­ra­tion for the sofa’s precise, stream­lined form, which is crafted from solid teak. 

The swing sofa offers supe­rior comfort, suspended from knotted ropes for a relax­ing rocking motion. Cush­ions made from weather-resis­tant Sunbrella fabric are avail­able as an addi­tion for added comfort, as well as an A‑frame is avail­able for easy free­stand­ing suspen­sion. Also included as part of our collec­tion is the BK12 lounge sofa.


Credit: Carl Hansen & Søn

Bodil Kjær


Bodil Kjær was born in 1932 and grew up on her family’s ancestral farm near Horsens, Denmark, where she learned to appreciate quality and aesthetics. Kjær refers to her designs as architectural elements, rather than furniture pieces. Her aim was never to create sculptural statements but rather to find functional, economic, and aesthetic solutions.

In 1965, Kjær received a scholarship to further her studies at the Royal College of Art and the Architectural Association School of Architecture in London. She stayed in London until 1979 working as a senior architect, and later opened a studio working on projects such as residential homes cooled using solar energy for Africa’s tropical zone. Through her vast travels, Danish professor and architect Bodil Kjær has gained deep insight into the relationship between design and architecture and contributed significantly to the spread of Danish Modern design principles ­– this was not, however, the main purpose of her travels. Kjær wanted to explore methods and materials that could be used to realize her ideas for functional furniture systems and work environments.

As a furniture designer, Kjær views furniture construction from a purely technical perspective, interplayed with modern architecture and created for people. She always considers context and has great respect for nature and an interest in the dynamics of society. After school, she went to England to study architecture but returned to Denmark a year later. She enrolled at the Frederiksberg Technical College and the School of Interior Design, where she learned to create spaces from experts such as Finn Juhl and Jørgen Ditzel.

Her furniture systems support creative people in their work processes, and her designs include indoor and outdoor furniture, light fixtures, a service trolley and vases, all characterized by lightness and a functionalist expression.

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