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BM0488S Short Table Bench

c. 1958

by Børge Mogensen
for Carl Hansen & Søn

BM0488S Short Table Bench

by Børge Mogensen
for  Carl Hansen & Søn

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The BM0488S Table Bench is the shorter version of Borge Mogensen’s famous bench with the same char­ac­ter­is­tic double-woven design. Initially designed in 1958, the multi-func­tional bench was a part of Mogensen’s build­ing furni­ture’ concept. Now, with Carl Hansen & Son, it lives on as an elegant yet func­tional piece for even the trick­i­est living spaces. BM0488S is crafted in solid oak heart­wood and skill­fully shaped with tradi­tional cabi­netry joints. Repeat­ing rounded edges and a double-woven surface lend to its elegant expres­sion and dura­bil­ity — sure to last for gener­a­tions to come.


Børge Mogensen

Denmark (1914–1972)

Børge Mogensen was one of the pioneers that created the foundation for the Danish Design as a culture of furniture design. His life-long ambition was to create durable and useful furniture that would enrich people’s everyday lives, and he designed functional furniture for all parts of the home and society.

Mogensen’s ideal was to create furniture with a restrained aesthetic. He believed that furniture should create a sense of tranquillity and have a modest appearance that encourages people to live their lives unpretentiously. He was acclaimed for his masterful sense of materials and proportions, and for his ability to create beautiful and distinctive furniture by emphasizing simple horizontal and vertical lines and surfaces – all in an attempt to create aesthetic clear designs that were easy to produce.

While working strictly within his self-imposed dogmas, Mogensen’s artistic temperament often led him to break his formal rules without abandoning their original intent. Thus Mogensen’s furniture can be described as both modest and very self-confident - just as their creator. Throughout his life, Mogensen was one of the boldest voices in the critical debate on furniture design. He often criticized his peers for surrendering their artistic authenticity in favor of short-sighted fashions, but he always welcomed innovations that he found offered real progression. Mogensen preferred to work in refined, yet rustic, natural materials such as solid oak, natural leather, wool fabrics, and brass mountings.

Mogensen was a trained cabinet-maker and furniture designer at the Copenhagen School of Arts and Crafts before entering the school of furniture design at Royal Danish Academy of Fine Arts, where he was taught by Kaare Klint and graduated in 1941. Throughout his career, Mogensen continued to defend the ideals of evolutionary design progression that was essential to the Klint School, while also expanding on the tradition. Contrary to Klint, Mogensen was not only inspired by the traditional cabinet-maker’s types and crafts - instead he adapted models planned for industrial production, as well as the more informal housing that emerged in the 1960s.

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