The personality of Eve Armchair changes depending on the material of the frame. The simple geometry of the structure is warmer and closer to nature in the walnut or ashwood, and is our choice for the home environment. The chair’s lines become more slender and impactful in the cast aluminum option: here the ideal setting is the office or a corporate space. The seat and back of both versions are in leather.
The innovative approach used to assemble the leather sections reveals a clever configuration of cuts and folds that highlight the company’s crafts capabilities. The upholstery is an “envelope” into which slips the frame, no stitching in sight. Meticulous attention has been paid to the chair’s functional aspects, primarily through the use of a thermoformed plastic shell coupled with a thin layer of polyurethane. Meantime, the rounded seat enhances the feeling that Eve is a comfortable chair.
Industrial but playful might sound like a contradiction, but in the hands of Piero Lissoni, it makes perfect sense. The Italian architect and designer has become one of the most accomplished of his generation, with collaborations with everyone from Alessi to Flos to Tecno. After training as an architect at the prestigious Politecnico di Milano University, Lissoni formed his own firm to create witty takes on modernism’s clean lines.
In 1996, he launched a visual communication agency, Graph.x, followed 17 years later by Lissoni Architettura, which handles interior design projects. But Lissoni’s furnishings really show off his charm: his Otto seating system for Cassina, named for the way the numeral is pronounced in Italian, tosses a titular number of comfy cushions into a slim aluminum rectangle for a perfect blend of hard and soft. And his Extrasoft system for Living Divani tosses away the frame entirely. It’s a chic take on the kid’s bedroom favorite, the beanbag, but with a lifetime’s worth of possible arrangements.
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