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Petit Bureau en Forme Libre

c. 1952/2021

by Charlotte Perriand
for Cassina

Petit Bureau en Forme Libre

by Charlotte Perriand
for  Cassina

or Call to Order

With its smooth, rounded edges and asym­met­ri­cal form, the Petit Bureau En Forme Libre was designed in 1952 by Char­lotte Perriand as a clever solu­tion for smaller spaces thanks to its contained dimensions.

Rein­tro­duced in 2021 in collab­o­ra­tion with Pernette Perriand-Barsac, slight changes have made this elegant desk suit­able for profes­sional use.‎ A cable passage posi­tioned on the left-hand side of the desktop leads to a built-in power unit, sold sepa­rately, that features two USB sockets (type A+N and C) and a plug socket.‎ The cable entry pocket cover is uphol­stered in black or tobacco-colored saddle leather, just like the optional, non-slip desk pad to protect the desk’s surface.‎

The solid Canaletto walnut version of the Petit bureau en forme libre high­lights the beauty of the desk’s natural mate­ri­als and testi­monies Cassina’s skill in wood crafts­man­ship.‎ The desk is also avail­able in solid Mahogany and matt lacquered wood in a variety of colors.‎


Charlotte Perriand

France (1903–1999)

In her eight-decade career, Charlotte Perriand contributed to countless design projects that allowed her to experiment with material. She explored working with tubular steel furniture, natural pieces in ebonized wood, bamboo furniture in Japan, and more. Paying close attention to the functionality of the furniture and the arrangement of the interior environment, Perriand designed pieces that were meant to be comfortably used and enjoyed in a space, as evidenced in her famed 1959 daybed or curved-back LC7 chair. Her revolutionary user-centric approach helped establish her as a seminal figure in the modernist design movement whose legacy endures to this day.

Not long after graduating from Ecole de L'Union Centrale de Arts Decoratifs in Paris, Perriand impressed critics with “Bar Under the Roof,” an installation featuring an aluminum and chrome bar counter and card table presented at the Salon d’Automne in 1927. The showcase established her as an avant-garde talent to watch and wowed a personal icon of hers, Le Corbusier—who invited her to join his studio and work on furniture designs with him and his cousin Pierre Jeanneret. The trio went on to craft some of the most enduring modern furniture pieces of the 20th century, such as the widely collected LC4 chaise longue, today produced by Cassina.

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