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BM4570 Outdoor Dining Chair

c. 1968

by Børge Mogensen
for Carl Hansen & Søn

BM4570 Outdoor Dining Chair

by Børge Mogensen
for  Carl Hansen & Søn

or Call to Order

The BM4570 Dining Chair was designed in the late 1960s by Danish furni­ture designer Børge Mogensen for his private balcony. His human-centric approach to design invites the user to inter­act with nature comfort­ably and in a multi­tude of settings. The simple, slatted lines and solid teak construc­tion provide classic dura­bil­ity and func­tion­al­ity. It folds away neatly when not in use and can be neatly hung on the series’ corre­spond­ing wall mount as a deco­ra­tive archi­tec­tural object in its own right.

BM4570 Dining Chair is fitted in Sunbrella Heritage Papyrus 18006 and crafted in untreated and FSC™-certified teak. The complete series includes the BM3670 Dining Table and BM5568 Deck Chair.

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Børge Mogensen

Denmark (1914–1972)


Børge Mogensen was one of the pioneers that created the foundation for the Danish Design as a culture of furniture design. His life-long ambition was to create durable and useful furniture that would enrich people’s everyday lives, and he designed functional furniture for all parts of the home and society.

Mogensen’s ideal was to create furniture with a restrained aesthetic. He believed that furniture should create a sense of tranquillity and have a modest appearance that encourages people to live their lives unpretentiously. He was acclaimed for his masterful sense of materials and proportions, and for his ability to create beautiful and distinctive furniture by emphasizing simple horizontal and vertical lines and surfaces – all in an attempt to create aesthetic clear designs that were easy to produce.

While working strictly within his self-imposed dogmas, Mogensen’s artistic temperament often led him to break his formal rules without abandoning their original intent. Thus Mogensen’s furniture can be described as both modest and very self-confident - just as their creator. Throughout his life, Mogensen was one of the boldest voices in the critical debate on furniture design. He often criticized his peers for surrendering their artistic authenticity in favor of short-sighted fashions, but he always welcomed innovations that he found offered real progression. Mogensen preferred to work in refined, yet rustic, natural materials such as solid oak, natural leather, wool fabrics, and brass mountings.

Mogensen was a trained cabinet-maker and furniture designer at the Copenhagen School of Arts and Crafts before entering the school of furniture design at Royal Danish Academy of Fine Arts, where he was taught by Kaare Klint and graduated in 1941. Throughout his career, Mogensen continued to defend the ideals of evolutionary design progression that was essential to the Klint School, while also expanding on the tradition. Contrary to Klint, Mogensen was not only inspired by the traditional cabinet-maker’s types and crafts - instead he adapted models planned for industrial production, as well as the more informal housing that emerged in the 1960s.

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