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PP266 Chinese Bench

c. 1946

by Hans J. Wegner
for PP Møbler

PP266 Chinese Bench

by Hans J. Wegner
for  PP Møbler

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Hans Wegn­er’s design prowess reached new heights when creat­ing the pp266 Chinese Bench, a testa­ment to his confi­dence in the strength and agility of the iconic pp66 Chinese Chair. In this unique endeavor, Wegner embraced the chal­lenge of tran­si­tion­ing from a wooden armchair to a bench.

The Chinese Bench initially existed as a proto­type until 1991, when it finally found its way into produc­tion, thanks to the pioneer­ing exper­i­ments at PP Møbler with the pre-compres­sion wood bending tech­nique. This inno­v­a­tive approach allowed for the enhance­ment of several Wegner designs and paved the way for the real­iza­tion of the Chinese Bench after careful deliberation.

Craft­ing the Chinese Bench presents a formi­da­ble chal­lenge to even the most skilled arti­sans, not only due to the intri­ca­cies of the wood­work but also the long paper cord seat. The seat requires excep­tional preci­sion to achieve a linear appear­ance, adding an extra layer of complex­ity to the metic­u­lous craftsmanship involved.

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Hans J. Wegner

Denmark (1914–2007)

If Danish modernism is best known and beloved for the use of traditional techniques to emphasize materiality—graceful curves honoring the grain of fine walnut, for example—that’s thanks in large part to Hans J. Wegner. Born in southern Denmark, at 14 Wegner began an apprenticeship with Danish master cabinetmaker H. F. Stahlberg, where he honed a preternatural talent and learned skills he’d bring to bear throughout a career lasting some eighty years and full of design masterpieces.

While studying at the School of Arts and Crafts in Copenhagen, Wegner worked for Arne Jacobsen and Erik Møller on a range of furniture for the Aarhus City Hall. Four years after graduation, he had showcased a chair at the Copenhagen Museum of Art and Industry, and opened his own firm. Sculptural, surprisingly comfortable seating became Wegner’s trademark: for Fritz Hansen, the floating Chinese chairs; for Carl Hansen & Sons, he designed the instant classic Wishbone, Shell, and Elbow chairs; for PP Møbler, the cozy Papa Bear, iconic Round, and buoyant Circle chairs; and countless others, most still in production.

Wegner retired in 1993 and died fourteen years later, but his work lives on in its ubiquity across residential, hospitality, and corporate design—not to mention the Museum Sønderjylland’s permanent exhibition of the three dozen chairs he felt were his very best in a water tour in his hometown of Tønder.

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