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PP512 Folding Chair

c. 1949

by Hans J. Wegner
for PP Møbler

PP512 Folding Chair

by Hans J. Wegner
for  PP Møbler

or Call to Order

The PP512 Folding Chair from PP Møbler debuted along­side the Round Chair at the 1949 Cabinet Makers’ Guild’s Autumn Exhi­bi­tion, marking a break­through moment for Hans Wegner. Drawing inspi­ra­tion from the iconic Barcelona Chair by Bauhaus archi­tect Mies van der Rohe, Wegner infused his unique touch by intro­duc­ing a folding mech­a­nism that enhanced stabil­ity, all while using pure natural materials.

The wooden handles, serving as hand-rests, inter­sect with the cane seat in a way that creates a harmo­nious balance, avoid­ing the risk of the cane work appearing overdone.

The modern and mini­mal­is­tic construc­tion of the Folding Chair show­cases Wegn­er’s mastery of handling two funda­men­tal natural mate­ri­als: solid wood and cane. Its straight­for­ward and elegant design offers a tangi­ble expe­ri­ence of quality mate­ri­als, provid­ing comfort and visual appeal. When neatly folded and hung on the wall, the Folding Chair trans­forms into a beau­ti­ful piece of art, further empha­siz­ing Wegn­er’s ability to blend func­tion­al­ity with aesthetic beauty.

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Hans J. Wegner

Denmark (1914–2007)

If Danish modernism is best known and beloved for the use of traditional techniques to emphasize materiality—graceful curves honoring the grain of fine walnut, for example—that’s thanks in large part to Hans J. Wegner. Born in southern Denmark, at 14 Wegner began an apprenticeship with Danish master cabinetmaker H. F. Stahlberg, where he honed a preternatural talent and learned skills he’d bring to bear throughout a career lasting some eighty years and full of design masterpieces.

While studying at the School of Arts and Crafts in Copenhagen, Wegner worked for Arne Jacobsen and Erik Møller on a range of furniture for the Aarhus City Hall. Four years after graduation, he had showcased a chair at the Copenhagen Museum of Art and Industry, and opened his own firm. Sculptural, surprisingly comfortable seating became Wegner’s trademark: for Fritz Hansen, the floating Chinese chairs; for Carl Hansen & Sons, he designed the instant classic Wishbone, Shell, and Elbow chairs; for PP Møbler, the cozy Papa Bear, iconic Round, and buoyant Circle chairs; and countless others, most still in production.

Wegner retired in 1993 and died fourteen years later, but his work lives on in its ubiquity across residential, hospitality, and corporate design—not to mention the Museum Sønderjylland’s permanent exhibition of the three dozen chairs he felt were his very best in a water tour in his hometown of Tønder.

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