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423 Cab Lounge

c. 2015

by Mario Bellini
for Cassina

423 Cab Lounge

by Mario Bellini
for  Cassina

or Call to Order

Roomy and invit­ing, The 423 Cab Lounge is a restate­ment of the Cab chair concept. Nothing short of a master­piece of crafts­man­ship, the Cab Lounge armchair is perfectly suited to both resi­den­tial or contract use. The leather uphol­stery fits the tubular steel frame like an exquis­itely tailored garment, comple­ment­ing the curves, in a perfect symbio­sis between the struc­tural and the organic. The eleven leather sections, hand-stitched and fitted with four zipper closures, undergo four­teen hand-executed processes before they are complete. Fitted with a reclin­ing mech­a­nism, the five-spoke base sets off the entire chair, while the ergonom­i­cally correct design renders it extra­or­di­nar­ily comfort­able; the care taken in the details is without equal. 

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Mario Bellini

Italy (1935)

Mario Bellini is one of Italy’s most renowned design talents. As an architect, he has designed structures around the world, such as the Tokyo Design Centre, the National Gallery of Victoria, and the Milan Convention Centre. His illustrious oeuvre also moves far beyond architecture—he’s a skilled industrial designer, urban planner, and furniture designer who has influenced all corners of the industry.

Bellini began his foray into the design world as an architect in the 1960’s, and by 1963 he started to incorporate furniture and product design into his work. For nearly three decades, Bellini was the chief design consultant for Olivetti, where he created product designs for typewriters, portable calculators, and early computer consoles. Bellini’s masterful understanding of form became evident in both his product and furniture work. Many of the bestselling designs from his early career, such as Le Bambole seating line for B&B Italia and the Cab chair for Cassina, continue to be produced.

With over 25 pieces of his industrial design in their permanent collection, MoMA celebrated Bellini’s contribution to the design world with a 1987 retrospective of his work.

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